One of the oldest martial arts on the planet is Shaolin. It was brought from India by a fellow named Bodhidharma, and has been an inspiration to martial artists the world over. Interestingly, Shaolin evolved into an internal art atop Wudan Mountain.
I know there will be those who disagree with my theory here, but I hold to it, as I have watched students evolve, and the evolution of art from Shaolin to Wudan mirrors what I have seen students go through. Indeed, as students peel layers off the art, so do they peel off the levels of blinders within themselves, and attain the truly miraculous.
The students just starting out in Shaolin learn to expend energy from the tan tan, to spread that energy throughout the body and make the body like a rock. Arms become iron windmills, stances become permanent bolts to the planet. This, however, is all based on concepts of exploding energy, and outward expulsion of energy from the body.
As a student progresses through varieties of art he may encounter the concept of absorbing energy. The physical act of guiding a punch, instead of blocking it, mirrors the concept of drawing energy in, instead of just expelling it. This progression of art is often from Shaolin Kung Fu, through the sticky hands of Wing Chun Kung Fu, and, eventually, into the push hands of Wudan Tai Chi Chuan.
If the student studies a hard art, and does so with intelligence, he will eventually evolve into the soft. The fact of growing older, of the body no longer being able to handle the hard arts, will draw the student onward into the softer arts. He will develop his punch so that he doesn't undergo neck injuries, he will learn to use his legs so his hips don'thave problems, and he will naturally evolve his art from hard to soft.
As these progressions of art and age occur, students learn to use their minds and their bodies with less and less effort, and and they are surprised tolearn that the abilities they gained in the hard arts grow even greater. Instead of forcing energy through bodies no longer strong enough to handle it, they guide the energy with less effort, and focus it. Thus, awareness becomes a growing factor, and the blinders come off.
Instead of exploding energy brutally through their bodies, the students seep the energy through their bodies. They learn to guide this energy with their awareness, and the smallest of their motions contain ideas of energy. They learn that the crude body energy they used when they were young and robust was...unaware.
Finally, the transition is made in full, and the Shaolin adept becomes the Wudan sage. Instead of reacting with violence, the Wudan master observes his opponent, and moves with him, drawing in whole body energy and transforming it to his needs. Yet, though there is wisdom in the Wudan Gung Fu, there is no disdain, for the true sage knows the need for his early Shaolin, he knows the benefit of understanding energy on low levels if he is to transform it to high levels.
I know there will be those who disagree with my theory here, but I hold to it, as I have watched students evolve, and the evolution of art from Shaolin to Wudan mirrors what I have seen students go through. Indeed, as students peel layers off the art, so do they peel off the levels of blinders within themselves, and attain the truly miraculous.
The students just starting out in Shaolin learn to expend energy from the tan tan, to spread that energy throughout the body and make the body like a rock. Arms become iron windmills, stances become permanent bolts to the planet. This, however, is all based on concepts of exploding energy, and outward expulsion of energy from the body.
As a student progresses through varieties of art he may encounter the concept of absorbing energy. The physical act of guiding a punch, instead of blocking it, mirrors the concept of drawing energy in, instead of just expelling it. This progression of art is often from Shaolin Kung Fu, through the sticky hands of Wing Chun Kung Fu, and, eventually, into the push hands of Wudan Tai Chi Chuan.
If the student studies a hard art, and does so with intelligence, he will eventually evolve into the soft. The fact of growing older, of the body no longer being able to handle the hard arts, will draw the student onward into the softer arts. He will develop his punch so that he doesn't undergo neck injuries, he will learn to use his legs so his hips don'thave problems, and he will naturally evolve his art from hard to soft.
As these progressions of art and age occur, students learn to use their minds and their bodies with less and less effort, and and they are surprised tolearn that the abilities they gained in the hard arts grow even greater. Instead of forcing energy through bodies no longer strong enough to handle it, they guide the energy with less effort, and focus it. Thus, awareness becomes a growing factor, and the blinders come off.
Instead of exploding energy brutally through their bodies, the students seep the energy through their bodies. They learn to guide this energy with their awareness, and the smallest of their motions contain ideas of energy. They learn that the crude body energy they used when they were young and robust was...unaware.
Finally, the transition is made in full, and the Shaolin adept becomes the Wudan sage. Instead of reacting with violence, the Wudan master observes his opponent, and moves with him, drawing in whole body energy and transforming it to his needs. Yet, though there is wisdom in the Wudan Gung Fu, there is no disdain, for the true sage knows the need for his early Shaolin, he knows the benefit of understanding energy on low levels if he is to transform it to high levels.
About the Author:
Al Case has analyzed the martial arts for forty+ years, he began his Wudan training in 1974. You can see how soft he is by picking up a free ebook at Monster Martial Arts.
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